Next I tried mixing painted warps again, like in the
paper experiment except with smaller "pixels" using yarn, a 10/2 cotton. I divided the warp into three different sheds and painted a similar globe of light on each, again using different colorways grading from light to dark values going toward the edges.
Warp #1:
Warp #2:
Warp #3:
I did a few like this in plain weave:
And then re-sleyed the reed and did one in twill which I think came out more dramatic because I was able to make the bottom part weft-dominant (1/3 twill) and the sky warp-dominant (3/1 twill):
But
then I decided I had gone too far in scaling down my pointillist "pixels". I wanted my main piece to be more weaverly, if that's a word. To be continued...
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